Chenmo is a director and artist from China. Graduated from the China
Academy of Art in 2021.
Before entering the Animation program at the Royal College of Art in 2022, she worked as an independent animator in Shanghai. She draws inspiration from her personal experiences and nightmares. In her works, she uses diverse mediums to explore individual memory and socio-political changes.
于浙江温州。她于2021年毕业于中国美术学院。她的创作灵感来自于个人经历和噩梦。在她的作品中，她使用多种媒介探索个人记忆和社会政治变革。从2022年至今，她在英国皇家艺术学院攻读动画硕士学位。
Her works have been Selected in the Chinese Competition Section of the INTERFILM & KUKI Film Festival, the Rising of Lusitania – Anima Doc Film Festival’s Competition Section, and the 4th Nanjing Contemporary Animation Art Documentation Exhibition.
short range of voice: smoke signals, trail markers, and sculpture.
During my childhood in the countryside, my upbringing was immersed in the chants of Buddhist scriptures by my grandmother. Consequently, animal symbolism and Zen elements frequently manifest in my works, and the conflict between tradition and modernity is also a theme of my focus.
In the past few years, I have been influenced by film studies and captivated by long shots, which has led me to relentlessly incorporate these lingering shots into my works.
During the study in RCA, documentary animation is the subject that I am most interested in. I began to have higher expectations for my work, hoping that my animation could be like the literal meaning of my name: never be silent about the reality in front.
Before entering the Animation program at the Royal College of Art in 2022, she worked as an independent animator in Shanghai. She draws inspiration from her personal experiences and nightmares. In her works, she uses diverse mediums to explore individual memory and socio-political changes.
于浙江温州。她于2021年毕业于中国美术学院。她的创作灵感来自于个人经历和噩梦。在她的作品中，她使用多种媒介探索个人记忆和社会政治变革。从2022年至今，她在英国皇家艺术学院攻读动画硕士学位。
Her works have been Selected in the Chinese Competition Section of the INTERFILM & KUKI Film Festival, the Rising of Lusitania – Anima Doc Film Festival’s Competition Section, and the 4th Nanjing Contemporary Animation Art Documentation Exhibition.
short range of voice: smoke signals, trail markers, and sculpture.
During my childhood in the countryside, my upbringing was immersed in the chants of Buddhist scriptures by my grandmother. Consequently, animal symbolism and Zen elements frequently manifest in my works, and the conflict between tradition and modernity is also a theme of my focus.
In the past few years, I have been influenced by film studies and captivated by long shots, which has led me to relentlessly incorporate these lingering shots into my works.
During the study in RCA, documentary animation is the subject that I am most interested in. I began to have higher expectations for my work, hoping that my animation could be like the literal meaning of my name: never be silent about the reality in front.
吴陈墨，1999年出生于浙江温州。她于2021年毕业于中国美术学院。她的创作灵感来自于个人经历和噩梦。在她的作品中，她使用多种媒介探索个人记忆和社会政治变革。从2022年至今，她在英国皇家艺术学院攻读动画硕士学位。
Her works have been Selected in the Chinese Competition Section of the INTERFILM & KUKI Film Festival, the Rising of Lusitania – Anima Doc Film Festival’s Competition Section, and the 4th Nanjing Contemporary Animation Art Documentation Exhibition.
short range of voice: smoke signals, trail markers, and sculpture.
During my childhood in the countryside, my upbringing was immersed in the chants of Buddhist scriptures by my grandmother. Consequently, animal symbolism and Zen elements frequently manifest in my works, and the conflict between tradition and modernity is also a theme of my focus.
In the past few years, I have been influenced by film studies and captivated by long shots, which has led me to relentlessly incorporate these lingering shots into my works.
During the study in RCA, documentary animation is the subject that I am most interested in. I began to have higher expectations for my work, hoping that my animation could be like the literal meaning of my name: never be silent about the reality in front.